They always came back to NS with so much new music, friends, and experiences that sounded like the provincial program but even larger and longer. Choir for me was my safe space, and when I could spend a whole weekend touring Nova Scotia with friends singing, what better time could be had. So, 2 weeks sounded like one of the best experiences I could possibly imagine. When I finally turned of age, I jumped at the opportunity. I still remember auditioning for Heather Fraser and Christina Murray at St Georges in Halifax. To this day it is an experience I will always remember.
What were you doing at that point in life? When I was in National Youth Choir I had just moved home to Halifax, started working as a Music Director at a church in downtown. I had started singing with Halifax Camerata Singers and working part time at the Gap. I was just kind of getting my bearings and living at home, had just done a tour with the Canadian Chamber Choir (CCC) and was starting off my life in Halifax. What are you doing now? Currently I am a Store Manager Trainer with Starbucks in St. John’s Newfoundland. I manage a busy drive thru location and train new managers when they start with the company here in Newfoundland. How is choir still a part of your life? I still sing as much as I can. I play piano for a good friend’s women’s choir in Conception Bay South, I sing Tenor with Projekt Chamber Voices and when COVID isn’t rearing their horns, I sing Tenor with the CCC and tour with them. COVID seems to prevent some of these activities some of the time, but when possible, you will find me out there singing. What is your favourite memory of NYCC? My favourite memory is hard to pinpoint. There were so many highlights from singing at Podium in Saskatoon, rehearsing with Dr Meredith at the University of Saskatchewan, and working with her which is still a highlight of my life until this day. Her technique of changing seating order based on blend was mind blowing, and her trust in the choir to fix mistakes. But I have to say the memory that I still picture was singing Danny Boy of all things in Marysburg, Saskatchewan. I can remember Dr Meredith explaining the reason behind the song, it was not because it was challenging, or the next new choral hit, instead it was so that when we toured rural areas of the province, they would be left with a song they knew, and we were going to knock their socks off with how well we would sing it. And Marysburg is this town that comes out of nowhere like Brigadoon, (I have since been back touring with the Canadian Chamber Choir and it’s as if nothing had changed) and this town has this beautiful cathedral in the middle, with gorgeous acoustics, and the friendliest people you will ever meet. I can remember how Danny Boy sounded in there and it was simply divine. She started off the piece with 45 singers from across the country singing as softly as we could and bloomed into the beauty of the space and music. When we arrived at our billets house, we would inevitibely talk about the concert, provincial politics, music, you name it. Well, our billets could not say enough about Danny Boy, and that’s when I realized exactly the impact a piece like that can have. Did they enjoy the Childs, Whitacre, and Rossini? Of course, but what really impacted them was that one song. I don’t know why that still sticks with me until this day, but it reminds me of impact to audiences and knowing who you’re singing for. :: :: :: Are you an NYCC alumna/us or know someone who is? Connect with the Alumni Committee here, or email [email protected] for more information.
0 Comments
Choral Canada is thrilled to announce the 2022 National Youth Choir of Canada singers!
These 40 singers will be meeting in Ottawa May 8-20th to rehearse at the University of Ottawa School of Music facility. This intensive training week also includes time for cultural learning in Ottawa, as well as workshops and community engagement in the Ottawa-Gatineau area.
Prior to the training week in Ottawa, singers will participate in 3 professional development workshops and have access to NYCC Mentorship Pilot Project, launching in early 2022. These opportunities will offer the singers learning and connections with professionals in the choral arts sector. The 2022 tour will kick off on May 14th, and includes the following performances, with more to come: Box Office and Ticket Information Saturday May 14, 2022 | 7:00 PM Presented by: OTTAWA CHAMBERFEST Thursday May 19, 2022 | 8:00 PM Presented by: PODIUM 2022 :: :: :: COVID-19 has kept us all working diligently to secure accommodations, facilities, and performances for the 2022 NYCC and we’re thankful for the faculty and staff at the University of Ottawa School of Music and their enthusiastic support of this program. We would also like to thank our program sponsors the Sir Ernest MacMillan Memorial Foundation and the Azrieli Foundation, as well as our many private donors. Your support is vital to the success and continuation of this program. Donations can be made by visiting our DONATE page. |
AuthorWrite something about yourself. No need to be fancy, just an overview. Archives
November 2023
Categories |
About NYCC | The Choir | Artistic Team | Sponsors & Partners | Auditions | Mentorship | Repertoire | Alumni | Donate | Contact
|
230 St. Clair Avenue West
Toronto, Ontario M4V 1R5 647-606-2467 © Choral Canada 2024 Our office is located on the traditional territories of the Mississaugas of the New Credit First Nation, the Anishinaabe, the Haudenosaunee & the Wendat Peoples.
Notre bureau est situé sur les territoires traditionnels des Mississaugas de la Première nation de New Credit, des Anishinaabe, des Haudenosaunee et des Wendat. |